![]() Conversely, he added bite and rhythm to his more melodic tracks, giving him an edge over artists in both styles.īy the mid-'90s, Mills' DJ style and prolific output had seen his popularity overtake more established artists in the competitive Detroit techno scene. Mills showed his ability to straddle both camps on EPs such as 1993's Mecca and 1994's Cycle 30 by having a musical soundscape element to his club-based excursions. Around this time, techno experienced a schism between the hard, club-based scene and the more introspective "intelligent" techno material. This relationship kickstarted the distillation of Mills' true aesthetic.Īlongside collaborations with fellow UR member Robert Hood, Mills embarked on a series of solo EPs for his own Axis label that began to define a distinctive individual sound. An important solo breakthrough came about in '92 when he connected with Berlin's Tresor club and label to release Waveform Transmission Vol. A skilled DJ known locally as The Wizard, Mills made music that ranged from house and industrial (with the band Final Cut) to brutal dance floor assaults as part of the Underground Resistance collective. Jeff Mills is such a global icon for techno that it's easy to overlook his search for a sonic identity throughout the '90s. ![]() Rewind is a review series that dips into electronic music's archives to dust off music from decades past.
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